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Every year after Christmas the networks trot out their hopeful
new hits to fill the vacancies left by the failures from the fall. These
midseason replacement shows tend to be far more spread out than the late
September/early October fall launches, with debuts coming from early January
through late March. Some great shows have been launched in this winter
period, stuff like Deep Space Nine, Futurama, and The
Family Guy. At the same time, some total dogs have also arisen in
the same periods. I rated several
of this years crop a few weeks ago, and now I'm rating some of the
late arrivals.
Andy Richter Controls the Universe
(CTV/Fox Tuesday Evening): There are currently a bunch of new gimmicks
that new comedies are using. First, ditch the laugh track. Second, use
fantasy sequences. Third, have the main character talk directly to the
audience. Finally, make all the characters dysfunctional. Most shows use
one or two of these techniques. For example, Scrubs uses no laugh
track and lots of fantasy sequences. The Job uses no laugh track
and all dysfunctional characters. Andy Richter uses all of these,
and surprisingly uses them very well. Once you accept the the continual
fantasy sequences and the asides to the audience, it all starts to make
sense. And it's funny. It's very funny. It's not for kids, to be sure,
but it's funny. Of course I'm calling it Good.
Zed (CBC Monday to Friday Nights):
And now for something completely different. The CBC isn't a network known
for being particularly avant-garde (these are the people that aired The
Beachcombers for nearly 20 years) but this show certainly is. It's
almost impossible to describe. It has a rather impressive slate of guest
hosts (Bif Naked and Kardinal Offishall are the most noteworthy) for a
one hour show that airs at 11:30 PM on weeknights. Not exactly something
that will find a terribly big audience. By now you are probably asking
"What is it about?" That's not easy to answer. It's not about
any one thing in particular, so far as I can tell (check out the rather
impressive website for the show for more info), but since this airs
at 11:30 PM for an hour I don't really watch it all that often, which
is really too Bad.
Greg the Bunny (Fox Wednesday
Night): This is a puppet show. . . on Fox. Make all the jokes you want
about Fox, they're all probably true. This show is every bit as off the
wall and irreverent as you'd ever hope, and probably a bit more. You have
to accept that in the reality of this show, puppets are every bit as human
as humans. Got that? Greg is a rabbit puppet who lands a job on a children's
show with a cast and crew that's highly dysfunctional. Although the setting
is a children's show and it's about puppets, Greg the Bunny is definitely
NOT a kiddie show. On last week's show, for example, Jimmy
(Greg's human roommate) goes out with a girl whose dog ends up mauling
Greg, so to reduce the canine's aggressive tendencies Junction Jack (a
human who works on the show with Greg) castrates the pooch and refills
the scrotum with novelty Sammy Davis Jr. eyeballs that play a bad version
of "The Candyman." So you might want to keep the little ones
away from this. If that 60 word run on sentence just now didn't scare
you, then watch this show. It's that Good.
Wednesday 9:30 (8:30 Central)
(CTV Tuesday Evening, ABC Wednesday Evening): You heard it here first:
The traditional sitcom is dead. Well, maybe not entirely dead, but it's
bleeding out fast. This is a perfect example. It's a workplace sitcom
with a laugh track and loads of impressive talent, people like Ivan Sergei
(who you might remember from Once a Thief), Ed Begley Jr (who
you might remember from lots of stuff, such as St. Elsewhere
and This Is Spinal Tap) and John Cleese (who if you don't remember,
you're too young to be watching this show). And there are impressive guest
stars like John Ritter and Lori Loughlin. So by the numbers this show
should work. But it doesn't. The characters aren't at all engaging, not
even Ivan Sergei's likeable Midwestern everyman main character. This show
went into the spot recently vacated by The Job, and both episodes
have pulled ratings less than every single episode of The Job
to air. And so it has already been cancelled. How's that for Ugly?
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